Big Idea
Zig's new studio was just off of Station Square opposite Rutherford Station, on the second floor, above Leprechaun Newsstand, where just a year earlier someone found gold at the end of their lottery rainbow. It would take me about an hour to get there from Zany Brainy, and Hakyun, a designer he was sharing the space with, could tell by the urgency in my voice that I really needed to use the studio, so he let me right up. Setting the word IDEAS in black, four-inch, giant boldface letters, I printed and cut it into a 5" x 11" piece of white paper, which I then rolled up, tied with a little red ribbon, and placed into the mannequin hand. Intentionally, you could see it right through the window of the box, until I added a simple cover flap. The new hinged lid had a headline on the outside, in the same bold font, that said, "I READ IN THE TIMES THAT FIRMENICH NEEDED A HAND WITH BIG IDEAS." On the inside of the flap was a little letter expressing my interest in the position and my contact information, which was duplicated in permanent ink at the base of the hand as if it were a wrist tattoo. Liz, who had since left Robertet and was now a Marketing Manager at a competitor, had already given me the name of a VP of Marketing at Firmenich's office in New York, Cathleen Montrose. The ad instructed applicants to send their resume to HR in Princeton, and with a dopamine rush, as if I were holding that winning lottery ticket myself, I chose instead to FedEx a hand in a box to this woman in Manhattan.
The Monday following Columbus Day, I received an unusual letter in the mail from Tom, the Firmenich HR representative in Princeton. The letter said that I had been selected to participate in a Creative Session in which they would provide everything I needed, and I didn't need to prepare or bring anything with me. The letter went on to list a week's worth of time slots to choose from, and I was to let Tom know my choice at my earliest convenience, as the dates were all scheduled for the second week of November. First thing the following morning, which is 8:30 and not 9:00, I reached Tom immediately. After the awkward niceties, all he let me know was that I would be given an assignment, need to solve it, and present it to a panel as a one-hour audition - there would be no interview at this time, and in closing, confirmed that all I needed to bring was my creativity. "I'll take Friday at 2:00," I told him. "You're the first person to reply, Mikel, you can have any time slot on the schedule," he said. I purposely chose the last slot on the last day so that I would be the last person they saw - nobody was going to follow me - and to this day, I have no idea how many others would go before me. The first person I called, to help me interpret this unique opportunity, was Liz, who then arranged a call with a friend of hers that knew the culture at Firmenich and was willing to answer a couple questions I had: Beard or no beard? And, tie or no tie? "Keep the beard. Lose the tie," she advised.
---- This story continues next week... and then again the week after that. ----
Stay tuned - because even if you know where it's going, you probably don't know how it got there.
This story sounds very familiar. Are these posts you are sending a revisit of previous weekly updates or going to be something new?
Good to see you at CBC and I like the look.
This is great Mikel! Can’t wait for the next. I once sent homemade Baklava to a person who was ignoring my requests for a meeting, I got the meeting but certainly not life changing like this is going to end up being!
Classic Mike! Reminds me of when, in college, he taped two Bic lighters end to end, forever after to be known as a “heavier”…
Who knew getting an interview could be fun? !
Brilliant to go last!
Leave a comment